The treat of auction exhibitions
Since moving to Melbourne Paul and I have visited exhibitions of photography and other media. The list includes:
Since moving to Melbourne Paul and I have visited exhibitions of photography and other media. The list includes:
A wonderful photograph by New York photographer, John Albok (1894–1982)
Another cherished photograph that sits on our walls in our Melbourne home.
More on this photograph — click here.
A much loved work by Elaine Campaner (1969–2020) that has just taken pride of place on our walls in our new home in Melbourne. More on this work — click here.
When we moved, we dispersed some of our collections and said to ourselves that we should not buy any more. Then we saw this wonderful new work by Rod McNicol.
A previous notice for this was posted on Facebook — but their algorithm removed it. We have a theory. Click here for the original piece on our website
A much loved work by Elaine Campaner (1969–2020) that has just taken pride of place on our walls in our new home in Melbourne. More on this work — click here.
I have uploaded a piece about our visit to see the Anzac Days, the Colin Abbott exhibition at Magnet Galleries in Docklands, Melbourne.
Click here for the piece on our web site.
The current national and international attention on women artists prompted me to plumb my archive where I found this 1994 commentary on the status of women in photography.
I have unearthed an essay from 1976 which was a commentary about photo-history books available at the time.
Over the recent years I have been searching through my archives for articles and essays that we have since published on our web-site. I had overlooked one exhibition. That was the 1981 Project Gallery exhibition Re-constructed Vision: Contemporary work with photography at the Art Gallery of New South Wales.
It is now uploaded to our web site.
Updated November 2021
Have uploaded more to Parting with Your Art — click here.
This new page is an update on my most recent experiences on parting with my own archive as well as some thoughts that may be useful to others dealing with these downsizing matters
For the full list of pages so far: Click here
Have uploaded to our photo-web site a special section on the first photography curators — Australian that is. We have listed four: Jennie Boddington, Ian North, Gael Newton (me!), and Alan Davies. The listings for Jennie and myself include 1983 interviews by the Australian Centre of Photography. These are very long! (you have been warned)
If you know of any other useful online material on these people, please make contact.
This essay was originally published in the 2008 catalogue for the Vancouver Art Gallery exhibition — click here.
For people interested in Australian CDVs, it is highly recommended that you get hold of the book that accompanied the 2018–1019 exhibition. Click here for a sample of the book
I was approached by Penny Grist of the National Portrait Gallery in Canberra to advise on the 2017 exhibition — Starstruck. I then had the great experience of working with the co-curators Penny from the Portrait Gallery and Jenny Coombes of National Film and Sound Archive. This was a fun collaborative research experience — with my essay published in their book for the exhibition. Click here for the essay now online.
The wonders of looking through your own archive. I realised I had not uploaded an essay from 2006 on Michael Riley. Have now — so here’s the link — click here.
Updated June 2021 Have uploaded more to Parting with Your Art — click here.
This page is about managing expectations, large collections, institutional collection policies, points for collectors approaching art museums and archives, recommended first steps — and more..
For the full list of pages so far: Click here
Contributed an essay for Melita Dahl’s June 2021 exhibition at PhotoAcccess in Canberra. The exhibition is open until 10 July 2021.
Updated April 2021
topics: Downsizing Collections; More on Capital Gains Tax; Finding new homes for my library. Have uploaded these new pages to Parting with Your Art — click here.
Updated 12 August 2020
Have uploaded new pages on Parting with Your Art — click here.
Will be writing up some experiences and thoughts about parting with your art. This will be based on my own experiences as well as many stories heard in recent years.
Paris Musées, the public institution that manages all of the museums in Paris, has launched a new Collections portal with the public access to more than 100,000 high-resolution digital reproductions of classic artwork and photography.
Click here for the article on DP Review — or here for the portal
above image: 61 rue Saint-Louis-en-l’Ile, enseigne “Au petit Bacchus”. Paris (IVème arrondissement). Photographie d’Eugène Atget (1857–1927). Paris, musée Carnavalet.
I have uploaded a small essay I wrote in 2014 about Walter Woodbury in Indonesia. This essay was linked to the exhibition at the National Gallery of Australia — Garden of the East: photography in Indonesia 1850s-1940s. Click here for my essay online.
There’s also another small essay online that relates to a photograph — the one above — titled Serimpies, or dancing girls of the Sultano c.1858 . Click here for that essay.
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For the list of my essays (being updated) click here
Highway 61 revisited — photographs of this historic route. Click here
Great looking exhibition — get me to Canada
An exhibition organized by the Yokohama Museum of Art in collaboration with the Canadian Photography Institute of the National Gallery of Canada.
I have several essays online relating to George Silk the photojournalist. Born in Levin, New Zealand in 1916, Silk served as a photojournalist for Life Magazine for 30 years.
He is well known as a war photographer, that part of his career began in 1939 serving for the Australian government in the Middle East, North Africa and Greece.
There are many other aspects of his achievements covered in my essays. Most of my research related to the exhibition at the National Gallery of Australia in 2000.
Here are the links to my essays:
Going to Extremes: George Silk, Photojournalist from the NGA exhibition catalogue
Going to extremes: George Silk photographer essay in Art & Australia
George Silk,Fawn and rainbow trout, tributary of the Madison River, Montana
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For the list of my essays (being updated) click here
Writing in the Rain, FX Harsono - Still from colour video 2011 Collection National Gallery of Australia
Following my leaving the National Gallery in September 2014, I was asked by the editor of the Journal of the Asian Arts Society Australia to write about my last decade at the gallery — the decade that saw the establishment of a survey collection of Asia-Pacific photography spanning from South Asia to the west coast of the Americas.
The new collection was largely based around major collections acquired from several major private collections of Asia-Pacific photography including one of some 5000 colonial-era Indonesian photographs.
Here’s that story — click here
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For the list of my other essays (being updated) click here
Michael Riley’s Cloud (2000)
This essay was originally published in the catalogue Photographica Australis
for the 2002 exhibition by the Australian Centre of Photography
Curated by Alasdair Foster. Click here
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For the list of my essays (being updated) click here
I have uploaded an online version of the catalogue for the 1982 retrospective exhibition at the Art Gallery of NSW — Axel Poignant, photographs 1922–1980. Click here.
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For the list of my essays (being updated) click here
I have many people to thank for their support over a career that I continue to enjoy.
Opening on 12 October 2018
Bill Henson at the Tolarno Galleries 104 Exhibition Street Melbourne
till 2 June 2018.
https://www.facebook.com/gael.newton/posts/10156457600544551
An exhibition notice for an exhibition at the Whitney Museum of American Art.
Click here for the link…
And for more on Harold Edgerton — see my 1999 paper for the catalogue at the National Gallery of Australia — click here.
https://www.facebook.com/theARTMUSEum.PaulCostigan/posts/635188293479667
Celebrating IWD — 8th March 2018
Adelie Hurley (1919–2010) - The first Australian female commercial photojournalist
Frank Hurley: From Circular Quay to Collaroy Plateau.
https://www.facebook.com/gael.newton/posts/10155960821949551
Sasha Grishin reviews National Library of Australia (Canberra) 2018 exhibition: Peter Dombrovskis — Journeys into the wild.
Continue reading William and Winfred Bowness Photography Prize
https://www.facebook.com/theARTMUSEum.PaulCostigan/posts/545048755826955
https://www.facebook.com/theARTMUSEum.PaulCostigan/posts/529237530741411
click here to see my postscript on my former report on these significant photography auctions by Mossgreen.
click here to see my report on these significant photography auctions by Mossgreen.
The Victoria and Albert Museum (V&A) has revealed a visual of its new Photography Centre — click here
Entries now invited
Continue reading William and Winifred Bowness Photography Prize
Anne Zahalka’s new exhibition at the city gallery in Albury- MAMA — till Sunday 5th November 2017
Searching for Frank Hurley along our northern beaches
Did you know that Frank Hurley was a very keen gardener and photographer of wild flowers?
Dörte Conroy — What Comes to Mind: Lorna Sim — Enigma:
Maurice Weidmann- Absence of Sunshine
Continue reading The Photography Room: May — June 2017
Exhibition of Regis Lansac’s photographs at Janet Clayton Gallery:
3–28 May 2017
There’s a small exhibition at the National gallery of Australia.
This is an exhibition at photoaccess (Canberra) curated by Ashley Lumb and Laura McLean.
Exhibition of 40 years of photographs by Wesley Stacey at the Monash Gallery of Art, 4th March — 28 April 2017 — click here for pictures of the opening and other comments.
One to see — exhibition at Stills Gallery of Jane Brown’s photographs — Sporting Country.
At The Photography Room in Kingston (Canberra) is the exhibition by Sean Davey — Solomon Islands (2016).
Monash Gallery of Art 4 March to 28 April 2017
Exhibition of 40 years of photographs by Wesley Stacey at the Monash Gallery of Art, 4th March — 28 April 2017 — click here for details.
For more on Wesley — click here.
Beetles+Huxley (London) till 18 February 2017
Click on the image for news on ArtDaily.
Click on the image for the story from ArtDaily
Click here for the article on artdaily.
Story from The Art Newspaper — click here.
from the museum site:
The theme of FotoFocus 2016 is “The Un-Document,” and presents photography from over 100 international artists in 60 venues.
Hundreds of them.…… Here’s the story online — click here.
From the gallery: This exhibition offered a glimpse of the lost architecture of preindustrial London, as captured in a series of carbon photoprints commissioned between 1875 and 1886 by the short-lived Society for Photographing the Relics of Old London.
The View from Here, brings together 70 key works that chart the history of landscape photography over the course of 175 years. click here for more.
Exhibition runs 29th October 2016 − 30th April 2017 — click here for the gallery site
The MAST Foundation in Bologna is presenting for the first time in Italy a major solo exhibition of contemporary photographs by Dayanita Singh.
Click on the image above for the link to Polixeni’s web site and..
The Monash Gallery of Art has announced that Melbourne artist Valerie Sparks has won the 2016 William and Winifred Bowness Photography Prize with her work ‘Prospero’s Island – North East’ featuring one of Australia’s most iconic landscapes.
Click here for a link to the artist’s website.
Click here for the link to Monash Gallery of Art
click here for the story on Art Daily – or here for the Harry Ransom Centre’s page