Magnet Galleries Exhibition
I have uploaded a piece about our visit to see the Anzac Days, the Colin Abbott exhibition at Magnet Galleries in Docklands, Melbourne.
Click here for the piece on our web site.
I have uploaded a piece about our visit to see the Anzac Days, the Colin Abbott exhibition at Magnet Galleries in Docklands, Melbourne.
Click here for the piece on our web site.
I have uploaded a page about the Women:s Art Register and their very handy publication Leaving Your Legacy: A Guide for Australian Artists.
The guide is a comprehensive starting point — and the organisation is definitely worth supporting. Click here.
The 1999 reader contains 33 essays selected by Blair French, who was then program manager for the Australian Centre for Photography.
The texts had been previously published in the Centre of Photography’s journal — Photofile — that had been published since 1983. I wrote the preface to this publication. There’s a table of contents below my online essay along with links to information about photofile and the ACP. Click here for my essay.
cover image: Tracey Moffatt, Up In The Sky #3 1997 (detail)
Have uploaded to our photo-web site a special section on the first photography curators — Australian that is. We have listed four: Jennie Boddington, Ian North, Gael Newton (me!), and Alan Davies. The listings for Jennie and myself include 1983 interviews by the Australian Centre of Photography. These are very long! (you have been warned)
If you know of any other useful online material on these people, please make contact.
This essay was originally published in the 2008 catalogue for the Vancouver Art Gallery exhibition — click here.
For people interested in Australian CDVs, it is highly recommended that you get hold of the book that accompanied the 2018–1019 exhibition. Click here for a sample of the book
I was approached by Penny Grist of the National Portrait Gallery in Canberra to advise on the 2017 exhibition — Starstruck. I then had the great experience of working with the co-curators Penny from the Portrait Gallery and Jenny Coombes of National Film and Sound Archive. This was a fun collaborative research experience — with my essay published in their book for the exhibition. Click here for the essay now online.
Paris Musées, the public institution that manages all of the museums in Paris, has launched a new Collections portal with the public access to more than 100,000 high-resolution digital reproductions of classic artwork and photography.
Click here for the article on DP Review — or here for the portal
above image: 61 rue Saint-Louis-en-l’Ile, enseigne “Au petit Bacchus”. Paris (IVème arrondissement). Photographie d’Eugène Atget (1857–1927). Paris, musée Carnavalet.
Great looking exhibition — get me to Canada
An exhibition organized by the Yokohama Museum of Art in collaboration with the Canadian Photography Institute of the National Gallery of Canada.
Opening on 12 October 2018
https://www.facebook.com/theARTMUSEum.PaulCostigan/posts/564288583902972
https://www.facebook.com/gael.newton/posts/10155960821949551
Continue reading William and Winfred Bowness Photography Prize
https://www.facebook.com/theARTMUSEum.PaulCostigan/posts/530866183911879
click here for the TAP site — or here for the Spring 2017 details — that includes a link to a review by me.
from the listing:
The Victoria and Albert Museum (V&A) has revealed a visual of its new Photography Centre — click here
Searching for Frank Hurley along our northern beaches
Did you know that Frank Hurley was a very keen gardener and photographer of wild flowers?
There’s a small exhibition at the National gallery of Australia.
Toby Meagher’s Research Paper–June 2013. The paper was written for a Masters in Art Administration at COFA. Click here.
Click on the image for the story from ArtDaily
The theme of FotoFocus 2016 is “The Un-Document,” and presents photography from over 100 international artists in 60 venues.
An update on the move of the Royal Photography Society’s collection to the V&A — and the V&A as a centre for photography. click here.