revisiting my archive
The current national and international attention on women artists prompted me to plumb my archive where I found this 1994 commentary on the status of women in photography.
The current national and international attention on women artists prompted me to plumb my archive where I found this 1994 commentary on the status of women in photography.
In a previous post I talked ‘gender, journeys and genres (1994).
Another find was The Movement of Women 1996.
Enjoying a morning cuppa in a quiet place in our garden — wearing suffragette colours to celebrate International Women’s Day and the legion of awesome women photographers past and present I have encountered in my curatorial career.
The theme this year is #EmbraceEquity. There are so many gains but still so stubborn a gap in equity, is it time for militancy???
Here’s to all of you — enjoy the day wherever you are…
I have uploaded a page about the Women:s Art Register and their very handy publication Leaving Your Legacy: A Guide for Australian Artists.
The guide is a comprehensive starting point — and the organisation is definitely worth supporting. Click here.
Over the recent years I have been searching through my archives for articles and essays that we have since published on our web-site. I had overlooked one exhibition. That was the 1981 Project Gallery exhibition Re-constructed Vision: Contemporary work with photography at the Art Gallery of New South Wales.
It is now uploaded to our web site.
Comments and observations on a CVD of a nanny and two children — click here
Comments and observations on a striking portrait by the E.B. Mowll Studio — click here
Have uploaded to our photo-web site a special section on the first photography curators — Australian that is. We have listed four: Jennie Boddington, Ian North, Gael Newton (me!), and Alan Davies. The listings for Jennie and myself include 1983 interviews by the Australian Centre of Photography. These are very long! (you have been warned)
If you know of any other useful online material on these people, please make contact.
The wonders of looking through your own archive. I realised I had not uploaded an essay from 2006 on Michael Riley. Have now — so here’s the link — click here.
Highway 61 revisited — photographs of this historic route. Click here
My 1994 review of Indecent Exposures: Twenty Years of Australian Feminist Photography by Catriona Moore, Allen & Unwin in association with the Power Institute of Fine Art, Sydney — click here
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For the list of my essays (being updated) click here
Celebrating IWD — 8th March 2018
Adelie Hurley (1919–2010) - The first Australian female commercial photojournalist
Time out on a freezing cold morning in Canberra
As listed: Dr Anne Mary Gray AM
Image linked from a site by Amy Dickinson — click here
click here — for a story on the presence of females amongst the abstract expressionists.
Click on image for the exhibition details at China In The World (ANU)
another male federal politician, another of Malcolm Turnbull’s chosen boys, demonstrates how being patronizing to women must be a qualification for being in the Turnbull government.
Continue reading Mansplaining a qualification for being a federal bloke
From The Conversation, Michelle Smith, Deakin University
Over the weekend, Immigration Minister Peter Dutton inadvertently sent a text message calling journalist Samantha Maiden a “mad f—ing witch” to Maiden herself, rather than his intended recipient, fellow MP Jamie Briggs.
Continue reading Witches both mad and bad: a loaded word with an ugly history