Early 20th century Australian artist
Being in Melbourne has brought about a few pleasant surprises. Who would have thought that we would be researching early 20th century Australia women painters — who were not photographers.
Being in Melbourne has brought about a few pleasant surprises. Who would have thought that we would be researching early 20th century Australia women painters — who were not photographers.
We had a fun day today doing some research. We headed across Melbourne to Monash University Clayton Campus to view a document for a colleague. This is what we like doing now that we are in Melbourne — doing research favours for colleagues.
A much loved work by Elaine Campaner (1969–2020) that has just taken pride of place on our walls in our new home in Melbourne. More on this work — click here.
This piece was a difficult piece to write. The requirement was to survey 19th century photography across the Pacific in a few hundred words. Many hours were spent reducing the entry and making decisions on what to leave out — reluctantly! If I ever find the time I may revisit this and make it a much longer piece with all the extras inserted back in. Wishful thinking maybe? Here’s the original piece.
Have revisited a previous article looking at the aesthetic connections to other mediums and how image makers respond to their era. I may follow up with some thoughts on how this applies in contemporary practice — today. Click here for my 1990s piece.
When we moved, we dispersed some of our collections and said to ourselves that we should not buy any more. Then we saw this wonderful new work by Rod McNicol.
A previous notice for this was posted on Facebook — but their algorithm removed it. We have a theory. Click here for the original piece on our website
A much loved work by Elaine Campaner (1969–2020) that has just taken pride of place on our walls in our new home in Melbourne. More on this work — click here.
Photography collections can be fun! I love good ‘table top’ works and we have a number in our collection. This is one — and I have written a small piece about it — click here
Have uploaded information about this early 20th century woman photographer
with links to a special photo-web presentation/translation on a 1983 book originally published in Dutch. Have also included links to research on Thilly.
Click here.
Following my research, collection acquisitions and exhibition on Southeast Asian photography while at the National Gallery of Australia, in 2014 I wrote a piece about Hélène Hoppenot and 1930s women modernist photographers in Southeast Asia. Till now this essay has been unpublished. It is now online — click here — more or less unchanged from the 2014 version with a few notes and links added.
The current national and international attention on women artists prompted me to plumb my archive where I found this 1994 commentary on the status of women in photography.
In a previous post I talked ‘gender, journeys and genres (1994).
Another find was The Movement of Women 1996.
Enjoying a morning cuppa in a quiet place in our garden — wearing suffragette colours to celebrate International Women’s Day and the legion of awesome women photographers past and present I have encountered in my curatorial career.
The theme this year is #EmbraceEquity. There are so many gains but still so stubborn a gap in equity, is it time for militancy???
Here’s to all of you — enjoy the day wherever you are…
I have uploaded a page about the Women:s Art Register and their very handy publication Leaving Your Legacy: A Guide for Australian Artists.
The guide is a comprehensive starting point — and the organisation is definitely worth supporting. Click here.
Over the recent years I have been searching through my archives for articles and essays that we have since published on our web-site. I had overlooked one exhibition. That was the 1981 Project Gallery exhibition Re-constructed Vision: Contemporary work with photography at the Art Gallery of New South Wales.
It is now uploaded to our web site.
Comments and observations on a CVD of a nanny and two children — click here
Comments and observations on a striking portrait by the E.B. Mowll Studio — click here
Have uploaded to our photo-web site a special section on the first photography curators — Australian that is. We have listed four: Jennie Boddington, Ian North, Gael Newton (me!), and Alan Davies. The listings for Jennie and myself include 1983 interviews by the Australian Centre of Photography. These are very long! (you have been warned)
If you know of any other useful online material on these people, please make contact.
The wonders of looking through your own archive. I realised I had not uploaded an essay from 2006 on Michael Riley. Have now — so here’s the link — click here.
Highway 61 revisited — photographs of this historic route. Click here
My 1994 review of Indecent Exposures: Twenty Years of Australian Feminist Photography by Catriona Moore, Allen & Unwin in association with the Power Institute of Fine Art, Sydney — click here
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For the list of my essays (being updated) click here
Celebrating IWD — 8th March 2018
Adelie Hurley (1919–2010) - The first Australian female commercial photojournalist
Time out on a freezing cold morning in Canberra
As listed: Dr Anne Mary Gray AM
Image linked from a site by Amy Dickinson — click here
click here — for a story on the presence of females amongst the abstract expressionists.
Click on image for the exhibition details at China In The World (ANU)
another male federal politician, another of Malcolm Turnbull’s chosen boys, demonstrates how being patronizing to women must be a qualification for being in the Turnbull government.
Continue reading Mansplaining a qualification for being a federal bloke
From The Conversation, Michelle Smith, Deakin University
Over the weekend, Immigration Minister Peter Dutton inadvertently sent a text message calling journalist Samantha Maiden a “mad f—ing witch” to Maiden herself, rather than his intended recipient, fellow MP Jamie Briggs.
Continue reading Witches both mad and bad: a loaded word with an ugly history