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ROAD WORK AHEAD: A study of road photography in Australia, Belinda Hungerford 2010

This 2017 online version of Belinda Hungerford's thesis has been adapted from a copy of Belinda's 2010 thesis as submitted for the degree of Bachelor of Arts with Honours in Art History and Curatorship in the School of Cultural Inquiry, Australian National University; it is not the thesis as submitted and may include amendments and updated information.



 

LIST OF IMAGES

 

CHAPTER ONE

Figure 1

Dorothea Lange, Drought Refugees from Oklahoma, Biythe, California 1936, gelatin silver print, 17.3 x 24cm,
The Metropolitan Museum of Art, New York

Figure 2

Dorothea Lange, Jobless on Edge of Pea Field, Imperial Valley, California 1937, gelatin silver print, 17.3 x 24cm,
The Metropolitan Museum of Art, New York

Figure 3

Dorothea Lange, Greenville, Mississippi 1938, gelatin silver print, 17.3 x 24cm,
The Metropolitan Museum of Art, New York

Figure 4

Dorothea Lange, The Sheriff of McAlester, Oklahoma, in front of the jail 1936, gelatin silver print, 17.3 x 24cm,
The Metropolitan Museum of Art, New York

Figure 5

Dorothea Lange, Rural Rehabilitation Client, Tulare County, California 1938, gelatin silver print, 17.3 x 24cm,
The Metropolitan Museum of Art, New York

Figure 6

Walker Evans, Sidewalk and Shopfront (Barbershop, New Orleans), New Orleans 1935, gelatin silver photograph, 24.0 x 19.1cm.
National Gallery of Australia, Canberra

Figure 7

Walker Evans, Negro Barbershop Interior, Atlanta 1936,18.9 x 23.2cm,
Museum of Modern Art, New York

Figure 8

Robert Frank, Restaurant, U.S. 1 Leaving Columbia, South Carolina, 1955, gelatin silver print, 24.0 x 36.0 cm,
The Metropolitan Museum of Art, New York

Figure 9

Robert Frank, Parade, Hoboken, New Jersey 1955-56, gelatin silver print, 23.0 x 34.9 cm,
The Metropolitan Museum of Art, New York

Figure 10

Robert Frank, Rodeo, New York City 1955, gelatin silver print, 33.0 x 23.0 cm,
The Metropolitan Museum of Art, New York

Figure 11

Robert Frank, Charity Ball, New York City 1955-56, gelatin silver print, 33.6 x 21.7 cm,
The Metropolitan Museum of Art, New York

Figure 12

Robert Frank, Bar, Las Vegas, Nevada 1955, gelatin silver print, 24.5 x 36.6 cm,
The Metropolitan Museum of Art, New York

Figure 13

Robert Frank, Cafeteria, San Francisco 1956, gelatin silver print, 32.0 x 22.0 cm,
The Herbert F. Johnson Museum of Art, Cornell University, Ithaca

Figure 14

Robert Frank, Trolley, New Orleans 1955, gelatin silver print, 21.9 x 33.2 cm,
The Metropolitan Museum of Art, New York

Figure 15

Lee Friedlander, Albuguergue, New Mexico, 1972, gelatin silver print, 18.7 x 28.5cm,
Art Institute of Chicago, Chicago.

Figure 16

Lee Friedlander, Route 9W, New York, 1969, gelatin silver print, 21.9 x 32.8cm,
Art Institute of Chicago, Chicago.

Figure 17

Edward Ruscha, Phillips 66, Flagstaff, Arizona, 1962 from Twentysix Gasoline Stations, 1963, gelatin silver print, 11.9 x 11.9 cm,
Whitney Museum of American Art, New York

Figure 18

Edward Ruscha, Standard Station, Amarillo, Texas, 1962 from Twentysix Gasoline Stations, 1963, gelatin silver print, 12.5 x 12.9 cm,
Whitney Museum of American Art, New York

Figure 19

Edward Ruscha, Every Building on the Sunset Strip, 1966, artists book, page 18.0 x 14.4 cm, extended 760.7 x 14.4 cm,
National Gallery of Australia, Canberra

Figure 20

Stephen Shore, Washington, District of Columbia, November 1972, Type C colour photograph, 9.7 x 12.7 cm, reproduced in Stephen Shore, American Surfaces. London: Phaidon Press, 2005

Figure 21

Stephen Shore, Kanab, Utah, June 1972, Type C colour photograph, 9.7 x 12.7 cm, reproduced in Stephen Shore, American Surfaces. London: Phaidon Press, 2005

Figure 22

Stephen Shore, New York City, New York, September-October, 1972, C-print, 12.5 x 18.75 cm, reproduced in Stephen Shore, American Surfaces. London: Phaidon Press, 2005

Figure 23

Stephen Shore, Santa Rosa, New Mexico, June 1972, Type C colour photograph, 9.7 x 12.7 cm, reproduced in Stephen Shore, American Surfaces. London: Phaidon Press, 2005

Figure 24
Stephen Shore, Raleigh, North Caroline, June 1972, Type C colour photograph, 9.7 x 12.7 cm, reproduced in Stephen Shore, American Surfaces. London: Phaidon Press, 2005

Figure 25

Stephen Shore, New York City, New York, April 1972, Type C colour photograph, 9.7 x 12.7 cm, reproduced in Stephen Shore, American Surfaces. London: Phaidon Press, 2005

Figure 26

Jeff Brouws, Mobil, Highway 395, Inyokern, California, 1990, inkjet print, 18 x 18 inch,
Robert Klein Gallery, Boston

Figure 27

George Tice, Petit's Mobil Station, Cherry Hill, New Jersey 1974,12.0 x 25.0cm,
Afterimage Gallery, Dallas

Figure 28

Catherine Opie, Untitled till (Freeways), 1994, platinum print, 5.7 x 17.1 cm, Regen Projects,
Los Angeles

 


 

CHAPTER TWO

Figure 29

Russell Drysdale, Main Street, Sofala, 1947, black and white print, 36.7 x 35.4 cm,
National Gallery of Victoria, Melbourne.

Figure 30

Wesley Stacey, Untitled, from the series The Road, 1973-75, Type C colour photograph, 9.7 x 12.7 cm,
National Gallery of Australia, Canberra

Figure 31

Wesley Stacey, Untitled, from the series The Road, 1973-75, Type C colour photograph, 9.7 x 12.7 cm,
National Gallery of Australia, Canberra

Figure 32

Conrad Martens, View from Rose Bank, 1840, oil on canvas, 46.8 x 65.2cm,
National Gallery of Australia, Canberra

Figure 33

Wesley Stacey, Untitled, from the series The Road, 1973-75, Type C colour photograph, 9.7 x 12.7 cm,
National Gallery of Australia, Canberra

Figure 34

Stephen Shore, U.S. 89, Arizona, June 1972, Type C colour photograph, 9.7 x 12.7 cm, reproduced in Stephen Shore, American Surfaces. London: Phaidon Press, 2005

Figure 35

Lee Friedlander, Zion National Park, Utah, 2007, gelatin silver print, 38.1 x 38.1 cm,
Fraenkel Gallery, San Francisco

Figure 36

Lee Friedlander, Montana, 2008, gelatin silver print, 38.1 x 38.1 cm,
Fraenkel Gallery, San Francisco

Figure 37

Wesley Stacey, Untitled, from the series The Road, 1973-75, Type C colour photograph, 9.7 x 12.7 cm,
National Gallery of Australia, Canberra

Figure 38

Dorothea Lange, The Road West 1938, gelatin silver print, 17.3 x 24cm,
The Metropolitan Museum of Art, New York

Figure 39

Robert Frank, U.S. 285, New Mexico 1955, gelatin silver print, 24.3 x 25.0 cm,
The Metropolitan Museum of Art, New York

Figure 40

Wesley Stacey, Untitled, from the series The Road, 1973-75, Type C colour photograph, 9.7 x 12.7 cm,
National Gallery of Australia, Canberra

Figure 41

Wesley Stacey, Untitled, from the series The Road, 1973-75, Type C colour photograph, 9.7 x 12.7 cm,
National Gallery of Australia, Canberra

Figure 42

Wesley Stacey, Untitled, from the series The Road, 1973-75, Type C colour photograph, 9.7 x 12.7 cm,
National Gallery of Australia, Canberra

Figure 43

Wesley Stacey, Untitled, from the series The Road, 1973-75, Type C colour photograph, 9.7 x 12.7 cm,
National Gallery of Australia, Canberra

Figure 44

Wesley Stacey, Untitled, from the series The Road, 1973-75, Type C colour photograph, 9.7 x 12.7 cm,
National Gallery of Australia, Canberra

Figure 45

Wesley Stacey, Untitled, from the series The Road, 1973-75, Type C colour photograph, 9.7 x 12.7 cm,
National Gallery of Australia, Canberra

Figure 46

Unknown Photographer, The Road exhibition installation in the Australian Centre for Photography, 1975, Type C colour photograph, 9.7 x 12.7 cm,
National Gallery of Australia, Canberra

Figure 47

Robert Rooney, Holden Park 1 & 2,1970,19 polaroids each 12.6 x 12.7 cm,
National Gallery of Australia, Canberra

Figure 48

Wesley Stacey, Untitled, from the series The Road, 1973-75, Type C colour photograph, 9.7 x 12.7 cm,
National Gallery of Australia, Canberra

 


 

Chapter Three

 

Figure 49

Trent Parke, Backyard Swing Set, Queensland from Minutes to Midnight, 2003, gelatin silver photograph, 30.0 x 44.0cm,
National Gallery of Australia, Canberra

Figure 50

Trent Parke, Rally Car, WA from Minutes to Midnight, 2003, gelatin silver photography, 30.0 x 44.0 cm,
National Gallery of Australia, Canberra

Figure 51

Wesley Stacey, Untitled, from the series The Road, 1973-75, Type C colour photograph, 9.7 x 12.7 cm,
National Gallery of Australia, Canberra

Figure 52

Trent Parke, Firestorm, Canberra from Minutes to Midnight, 2003, gelatin silver photograph, 30.0 x 44.0cm,
National Gallery of Australia, Canberra

Figure 53
Trent Parke, Caravan Park, Queensland from Minutes to Midnight, 2003, gelatin silver photography, 30.0 x 44.0 cm,
National Gallery of Australia, Canberra

Figure 54

Trent Parke, Bachelor and Spinsters Ball, Mount Panorama, New South Wales from Minutes to Midnight, 2004, gelatin silver photograph, 30.0 x 44.0cm, National Gallery of Australia, Canberra

Figure 55

Trent Parke, Drag Races, Mildura, Victoria from Minutes to Midnight, 2003, gelatin silver photograph, 30.0 x 44.0cm,
Stills Gallery, Sydney

Figure 56

Trent Parke, My son Jem is born, Sydney from Minutes to Midnight, 2004, gelatin silver photograph, 30.0 x 44.0cm,
National Gallery of Australia, Canberra

Figure 57

Trent Parke, Possum jumping from tree, Newcastle from Minutes to Midnight, 2004, gelatin silver photograph, 30.0 x 44.0cm,
National Gallery of Australia, Canberra

Figure 58

Trent Parke, After the rodeo, Gunnedah, New South Wales from Minutes to Midnight, 2004, gelatin silver photograph, 30.0 x 44.0cm,
National Gallery of Australia, Canberra

Figure 59

Ezra Stoller, The Family of Man Exhibition, Museum of Modern Art, 1955. Exhibition design by Paul Rudolph. Reproduced in American Photography: A Critical History 1945 to the Present by Jonathan Green

Figure 60

Ezra Stoller, The Family of Man Exhibition, Museum of Modern Art, 1955. Exhibition design by Paul Rudolph. Reproduced in American Photography: A Critical History 1945 to the Present by Jonathan Green

Figure 61

Unknown photographer, Detonation of test Mike, Operation Ivy, Enewetak Atoll, 31 October, 1952, colour photograph, unknown dimensions. Reproduced in John O'Brian. "The Nuclear Family of Man." The Asia-Pacific Journal: Japan Focus. http://www.japanfocus.org/-John-0_Brian/2816

Figure 62

Trent Parke, Jellyfish, Western Australia from Minutes to Midnight, 2004, gelatin silver photography, 30.0 x 44.0 cm,
National Gallery of Australia, Canberra

Figure 63

Wesley Stacey, Untitled, from the series The Road, 1973-75, Type C colour photograph, 9.7 x 12.7 cm,
National Gallery of Australia, Canberra

Figure 64

Trent Parke and Narelle Autio, Untitled #29 from The Seventh Wave, 1999-2000, gelatin silver photograph, 24.0 x 36.0 cm,
Stills Gallery, Sydney

Figure 65

Trent Parke and Narelle Autio, Untitled #6 from The Seventh Wave, 1999-2000, gelatin silver photograph, 24.0 x 36.0 cm,
Stills Gallery, Sydney

 


 

Conclusion

 

Figure 66
Tracey Moffatt, Something More #9,1989, gelatin silver photograph, 100.6 x 127.0 cm,
National Gallery of Australia, Canberra

 

 

 


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