Australian
Pictorial Photography
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Catalogue
listing for the Exhibition for Australian Pictorial Photography
by the Art Gallery of NSW - at S. H. Ervin, Sydney June-July
1979 and Victorian College of the Arts, August 1979.
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• introduction
text • list
of photographers • biographies • |
Photographers
are listed alphabetically and an attempt has been made to list
their works chronologically by the date of the negative. The negative
date
is shown on the first line of captions beside the title. A date
for the particular print in this exhibition has been included on
the
second line with the dimensions and medium. The relation of negative
and print date of photographs can be very significant. Print
made even five years after the date of the negative can amount to
re-interpretations
in the print taste of a later style than that which was in vogue
when the negative was conceived and exposed.
An
asterisk in front of either the title or dates indicates that such
information was not inscribed on the print or mount but has been
arrived at with reference to other sources. Where possible sources
have been listed.
A
glossary is included for reference to the various printing processes
of the pictorial era. For convenience bromide print in this catalogue
refers to a silver bromide gelatine emulsion. Unless otherwise indicated
it can also be assumed that all bromide prints in the exhibition
conform to the prevailing taste of the time for matt surface, warm
i.e. brown-black tone images on ivory to rich cream paper. Due to
difficulties of identification it has not been possible to distinguish
between warm tones produced by direct development, re-development
or subsequent toning of the printing paper.
Dimensions
are in centimetres, height preceding width, and refer to the image
size. Sheet size (i.e. printing paper) is not given but inscriptions
are listed as being on sheet meaning the border round the image.
Gael
Newton
May, 1979
CECIL
W. BOSTOCK 1884-1939
1
A Portfolio of Art Photographs 1917
single section, cord-tied album of 5 sheets containing 10 small bromide
prints each one
titled and signed C. W. Bostock on sheet under image. Grey card cover
with photographic title label signed Cecil W. Bostock and number 17/25
on label inside front cover. Dated from another portfolio.
Art Gallery of New South Wales, gift of Mrs. Eleanor Morris 1977
2
Nude Study * 1915-17
bromide print from cat. no. 1; 15.2 x 11.2
signed C. W. Bostock l.r.; inscribed with title I.I. on album sheet
Art Gallery of New South Wales, gift of Mrs. Eleanor Morris 1977
3
The Byeway * 1915-17
bromide print from cat. no. 1; 15.3 x 6.6
signed C. W. Bostock l.r.; inscribed with title I.I. on album sheet
Art Gallery of New South Wales, gift of Mrs. Eleanor Morris 1977
4
Day Breaks - Cold-Shrieking-Bloody
*
1918-19 (Europe)
bromide print c.1920; 13.4 x 20.5
signed C. W. Bostock 10th F.A.B. l.r. inscribed, London Salon 1919
I.c. and with title I.I. (subject of same title exhibited 1919 as Bostock
and Capt. Wilkins)
Art Gallery of New South Wales, gift of Mr. James Hoey, 1977
5
* Courtyard (Europe?) *1918-19
bromide print; sepia-toned glossy *c.1938; 37.0 x 49.0
(size and surface indicate late print, uncharacteristic of pictorialist
prints) signed C. W. Bostock u.l. inscribed; Sydney Camera Circle (in
another hand) on verso Mount
Art Gallery of New South Wales, Sydney Camera Circle Collection Gift
1977
6
An Old World Harbour, Polperro
Cornwall *1919-20
bromide print * 1924; 28.0 x 3 7.9
signed with Bostock monogramme l.r.; inscribed Museum of Los Angeles
1924 I.c. and with title I.I. on mount (damaged print and negative
A.G.N.S.W. study collection)
Mrs. Joyce Robinson, Sydney
7
With the Sun's Last Flicker to Idleness
Drifted * 1919-20 (London)
bromide print * 1920's-30's; 28.5 x 37.3
signed with Bostock monogramme I.r.; inscribed Toronto C. Salon 1925
P.P.A. International Salon 1923 I.c. and with title I.I. numbered 4/25
11 on mount
Mrs. Joyce Robinson, Sydney
8
Scherzo * 1927
bromide print * 1927; 29.7 x 37.7
signed C. W. Bostock; inscribed with title u.c. and with 1927 exhibition
label
Art Gallery of New South Wales, gift of Mrs. Rainbow Johnson 1979
9
Problem (Anzac War Memorial, Sydney) *c.1932
bromide print *c.1938; 38.6 x 31.0
signed with Bostock monogramme 1.r.; inscribed San Francisco International
Salon
1937 I.c., and with title 1.1. on mount
Art Gallery of New South Wales, gift of Mrs. Rainbow Johnson 1979
JACK
CATO 1889-1971
10
Duchess of Leinster 1911
red carbon print *c. 1911; 19.8 x 14.7
signed with blind embossed Claude Harris studio stamp I.I. mount; and
inscribed with titled and date mid centre on verso
Mr. John Cato, Melbourne
11
Anna Pavlova 1912
vanadium toned bromide print on yellow dyed paper, * 1912; 19.0 x 14.5
signed Jack Cato l.r.; inscribed with title I.I., Taken in her gaTden/lvy
LodgelGolder's Green/London 1912 1.1. on mount
Mr. John Cato, Melbourne
12
Piccannies *1913-16
chloro-bromide print *1920's-30's; 37.2 x 29.5
signed Jack Cato F.R.P.S. I.r. on mount, inscribed with title on verso
Mr. John Cato, Melbourne
13
Lucien Dechaineux 1924
bromide print *c.1930's; 29.4 x 35.0
signed Jack Cato F.R.P.S. 1924 1.r.; inscribed with title I.I. (spelt
incorrectly Dechaneaux) on mount
Mr. John Cato, Melbourne
14
*Study of Hands * 1928-30
bromide print * 1930's; 36.4 x 25.4
signed Jack Cato F.R.P.S. I.r. on mount
Mr. John Cato, Melbourne
15
Snorky 1924 (Silly Snorky, a character in Launceston)
bromide print glossy *c. 1930's; 3 1.0 x 25.4
signed Jack Cato F.R.P.S. 1924 l.r.; inscribed with title 1.1. on mount
Mr. John Cato, Melbourne
HAROLD
CAZNEAUX 1878-1953
16
Paddy's Market (Belmore) 1906
bromide print *c.1940's; 23.3 x 29.0
signed H. Cazneaux 1906 I.r. and inscribed with title I.I. on mount
(by the Cazneaux
family) 1975
17
* Pyrmont Bridge at dusk * 1908
brown carbon print; 7.3 x 9.7
17a
Ferryboat, Early Morning 1908
green carbon print *C.1908; 7.4 x 9.0
signed HC 1908 l.r., inscribed with title 1.1. on mount
Both Art Gallery of New South Wales, gift of the Cazneaux family 1979
18
Razzle Dazzle 1908 (Bondi)
bromide print *c.1940's; 22.4 x 28.4
signed H. Cazneaux I.I., inscribed with title I.r. on mount (by the
Cazneaux family), date verso
Art Gallery of New South Wales, gift of the Cazneaux family 1975
19
Evening Falls *c.1908
oil print *c.1908 : 10.7 x 15.1
signed Harold Cazneaux I.r., inscribed with title I.I., and oil print
I.c. on mount
Art Gallery of New South Wales, gift of the Cazneaux family 1975
20
The Quest * 1911
bromoil *c.1920-40's; 22.6 x 17.6
signed H. Cazneaux I.r., inscribed with title I.I., pigment no. 6.
I.c. on mount
Art Gallery of New South Wales, gift of the Cazneaux family 1975
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L.
Hey Sharp, The Home of a Pensioned Couple c. 1925, cat no 100
R. V Simpson, Archibald Fountain - Winter Morning 1935, cat no 102
21
Silver and Grey, Circular Quay *1909-14
bromide print on parchment paper *c.1914; 16.0 x 16.2
titled and dated from reproduction The Lone Hand Nov. 1914
Art Gallery of New South Wales, gift of the Cazneaux, family 1979
22
Peace After War and Memories *1918
chloro bromide print *:c.1930's; 26.2 x 32.2
signed Caz I.I. on mount
Art Gallery of New South Wales, gift of the Cazneaux family 1975
23
Martin Place (also known as The Canyon) *c. 1928
bromide print ;*c.1930's; 36.4 x 27.1
Art Gallery of New South Wales, gift of the Cazneaux family 1975
24
Norman Lindsay (with Beethoven death mask) * 1918-20
bromide print *c. 1(30's; 3 1.0 x 24.3
signed H. Cuzneaux I.r., inscribed v,,ith title 1.1. 01) mount
Art Gallery of New South Wales, gift of the Cazneaux family 1975
25
Portrait in Sunshine (also known as Autumn Leaves, Patricia Minchin)
1931
chloro bromide print *c.1930's-40's; 25.4 x 22.7
signed H. Cazneaux I.r.; inscribed with title I.I. on mount, and
2nd award in the Home Social Beauty Competition June 1931 on verso
Art Gallery of New South Wales, gift of the Cazneaux family 1975
26
Sydney Bridge (also known as Bridge Pattern and Arch
of Steel) *c. 1934
bromide print *c.1930's-40's; 29.6 x 21.4
signed H. Cazneaux I.r.; inscribed with title I.I. on mount
Art Gallery of New South Wales, gift of the Cazneaux family 1975
27
Riverside Nepean * 1930's
bromide print *c.1940's; 33.2 x 25.5
signed H. Cazneaux I.r.; inscribed with title I.I. on mount
Mrs. Rainbow Johnson, Sydney
28
Steam and Sunshine *1935 (B.H.P. Newcastle)
bromide print *c.1940's; 37.1 x 27.2
inscribed with title and date on verso (by Cazneaux family)
Art Gallery of New South Wales, gift of the Cazneaux family 1975
29
Autumn Sunshine 1935/37 (Adelaide Hills)
bromide print (negative laterally reversed) 1940's; 21.4 x 27.5
inscribed with title on verso (by Cazneaux family)
Art Gallery of New South Wales, gift of the Cazneaux family 1975
30
The Spirit of Endurance 1935/37 (also called A
Giant of the Arid North c. 1937, and A Mighty Gum c. 1939 as a bromoil with
the
negative laterally reversed)
The Spirit of Endurance title was first used in 1941 to express the
spirit of Australia probably reflecting the nationalistic feeling
during WW. 11. The Tree, a 500 year old gum now known as The
Cazneaux Tree is at Wilpena, Flinders Ranges, S.A.
kodura
etching-brown bromide print negative laterally reversed *c.1940's; 28.0
x 33.0
signed H. Cazneaux I.r.; inscribed Spirit of Endurance I.I. on
mount
Art Gallery of New South Wales, gift of the Cazneaux family 1975
31
The Glade * 1935-45?
bromoil * 1940's, (one of the last brornoils made by H.C.); 28.5 x
37.0
signed H. Cazneaux I.r. on mount; inscribed with title on verso by
Cazneaux family
Mrs. Rainbow Johnson, Sydney
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Cecil
W. Bostock, An Old World Harbour, Polperro 1919-1920, cat no 6
NORMAN C. DECK b. 1892
32
Panel of 9 prints from album and scrapbook collated by N. C. Deck *c.1895-1913
The Art Gallery of New South Wales, gift of Norman C. Deck 1979
32a
Dr. John Northcote Deck *Deck family picnic at Hazelbrook 1894
bromide? print *c.1896-1910,
negative by Dr. J. N. Deck possibly printed
by
N. C. Deck; 7.4 x 9.7
inscribed E.F.D., Tom Holt, P.M.D., N.C.D., H.L.D., 1894 by N. C.
Deck on verso
32b
Norman C. Deck Upper reach of National Park River, Audley *c.1896
platinum? print *c.1896-1900; 10.5 x 7.4
signed N.C.D. l.r.; inscribed Ilford Empress Plate neg developed in
pyro ammonia I.I. and
with title I.I. on mount
32c
National Park * 1896-1903
bromide print on textured paper * 19 10; 15.5 x 20.6
title from reproduction in A.P.R. Nov. 1903
32d
*Cows *c.1900
platinum
print *c.1900; 6.2 x 13.4
32e
*Banksia tree *c.1900-1910
bromide print *c.1905; 7.2 x 11.5
32f
Sedges 1904
bromide print *c.1904; 11.6 x 8.4
(negative and a damaged print inscribed with title and date, A.G.N.S.W.
study collection)
32g
On the side of the Hill * c. 1906
green carbon print *c.1906; 7.3 x 11.5
date and title from another print in the collection of The Australian
Centre for Photography
32h
Chiaroscuro *c.1905-10
bromide print * c. 1908; 7.6 x 8.3
signed N. C. Deck I.I., and inscribed with title l.r. on mount
32i
Creek in Gully (Medlow, Blue Mountains) * c. 1896
platinum? print *c.1896 diameter 9.0
inscribed with title on centre of verso
33
Upper Darling Harbour 1908
bromide print * 1950's; 36.1 x 28.6
signed N. C. Deck l.r.; inscribed with title and date Ll. on mount
Art Gallery of New South Wales, gift of the artist 1977
34
A Bend in the Road, (New Zealand) *1909
bromide print *c.1950's; 38.0 x 30.2
signed Norman Deck l.r.; and inscribed with title on mount
Art Gallery of New South Wales, gift of the artist 1977
35
What is it? Taieri Beach, New Zealand 1909
bromide print *1950's; 29.3 x 22.6
inscribed with title and date I.I. on mount; repeated on verso mid
centre
Art Gallery of New South Wales, gift of the artist 1977
36
Mt. Pembroke, Milford Sound, New Zealand 1909
bromide print *c.1950's; 28.0 x 37.0
inscribed with title and date u.c. on verso
Art Gallery of New South Wales, gift of the artist 1977
37
New Forest, Hampshire 1936
bromide print *c.1950's; 30.3 x 37.9
signed Norman Deck l.r. inscribed with title 1.1. on mount, and date on verso
in centre
Art Gallery of New South Wales, gift of the artist 1977
38
Bent Tree 1944
cold tone bromide print on white paper *c.1960's; 29.3 x 37.6
signed Norman Deck l.r. on mount; inscribed The Bent Tree in Khandalah
garden, Katoomba
N.S. W. 1944 on verso u.c.
Art Gallery of New South Wales, gift of the artist 1979
39
Jamieson Valley 1944
varnished bromide print 1950's-60's; 29.5 x 37.6
signed Norman Deck l.r.; inscribed with title 11 on mount and with
date u.c. on verso
Art Gallery of New South Wales, gift of the artist 1979
40
In Coming Tide (Bundaberg, Queensland) 1903 or 43?
cold tone bromide print on white paper *c.1960's; 37.0 x 28.7
signed N. C. Deck I.r.; inscribed with title and 1943 crossed out and
replaced by 1903 1.1. on mount, The Incoming Tide/Booyan BeachlNear
Bundaberg/ Queensland 1943 on verso u.c.
Art Gallery of New South Wales, gift of the artist 1977
41
Norman C. Deck (attributed)
Beech Trees, New Zealand 1911
bromide print *c.1913; 23.3 x 30.6
attributed to N. C. Deck on the basis of a signed print of the same
subject, Church Street Photographic Centre, This print from a collection
of prints by James Stening (q.v.). Deck and Stening were close friends
and could have exchanged prints. Alternatively Deck held Stening's
negatives after the latter's death and could have printed from the
negative in more recent years.
See also cat. no. 113 Sir George Stening,
Sydney
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ARTHUR
DICKINSON active
1920-50's, Melbourne
42
The City of Sound * 1930
bromide print *c.1930's;
signed A. Dickinson l.r.; inscribed with title11 on mount
The National Gallery of Victoria
MAX
DUPAIN 1911 - [deceased 1992]
43
Quarry 1932
bromoil *c.1932; 24.7 x 17.1
signed Max Dupain 1932; inscribed
with title 1.1. on mount
Max
Dupain, Sydney
J.
B. Eaton, Cattle Track, c.1943, cat no 45
JOHN
B. EATON 1881-1967
44
In Kingly State *c.1925
bromide print *c.1940's; 36.4 x 27.8
signed John Eaton F.R.P.S. I.r. on sheet; titled and dated from
reproduction of the same subject (but in soft-focus) on the cover
of Australia Beautiful The Home Magazine Pictorial Annual 1929
Art Gallery of New South Wales, gift of Mr. John Bilney, 1979
45
Cattle Tracks *c.1934
bromide print *c.1940's; 30.5 x 28.3
signed Jno Eaton I.r. on sheet; inscribed (probably by H. Cazneaux
the owner of
print) Cattle Tracks one of only two prints u.c. on verso
Art Gallery of New South Wales, purchased 1977
STANLEY
W. EUTROPE 1891 - [deceased 1983]
46
A Corner of Dora Creek *c.1920-22
bromoil *c.1920's; 21.8 x 27.9
signed S. W. Eutrope A.F.I.A.P. I.r. on image and mount; inscribed
with title 1.1. on mount
Mr. Stanley W. Eutrope, Sydney
47
Carnival (Japanese button day, Martin Place)
* 1920
bromoil *c.1920's; 21.9 x 28.2
signed S. W. Eutrope A.F.I.A.P. l.r.; inscribed with title on
mount
Mr. Stanley W Eutrope, Sydney
48
Gums at Sundown * c. 1940
bromoil *c.1940's; 28.5 x 35.3
signed S. W. Eutrope A.F.I.A.P. l.r. on image and mount, inscribed
with title I.I., on
mount
Art Gallery of New South Wales, gift of the artist 1977
49
Farmyard Pattern *c.1940-45
bromoil *c.1940's; 39.0 x 30.0
signed S. W. Eutrope A.F.I.A.P. l.r. on image and mount; inscribed
with title 1.1. mount
Art Gallery of New South Wales, gift of the artist 1977
ARTHUR
FORD 1889-1965
50
In
Port Jackson 1920
bromide print *c.1920; 24.6 x 32.7
signed Arthur
Ford
l.r. inscribed London Salon 1920
I.c. with title 11 on mount Art Gallery
of New South Wales, Sydney Camera
Circle Collection gift 1977
RUTH
HOLLICK 1883 - 1977
51
*Boy in car *c.1920-30's
bromide print on paper with pink
tint
*c.1920-30's; 23.8 x 30.0
Mr. H. Youlden, Melbourne
HAROLD
N. JONES d. 1970
52
The White Witches *c.1930's
bromoil on textured paper *c.1930's; 29.9 x 37.9
signed H. N. Jones l.r.; inscribed
with title I.I. on mount
Art Gallery of New South
Wales, gift of Mrs. Nell Chaffer,
1979
F.
A. JOYNER active 1890's-1940's?
53
Meadow Hay *1890's-1920's
bromide print
*c.1920's;
29.4 x 23.7
signed F. A. Joyner
I.r.; inscribed
with title I.I. on sheet
Art Gallery of South
Australia
JOHN
KAUFFMANN 1864 - 1942
54
*Turkey * 1900-1920
bromide print *c. 1910-20,
circular image d.29.0
Art Gallery of New
South Wales, gift
of Mr. John Bilney
1979
55
The Silent Watcher * 1900-1920
bromide print possibly
printed posthumously
for The Story of the
Camera
in Australia by
Jack Cato (Georgian
House, Melbourne
1955); 24.4 x 18.4
title from The
Art of John Kauffmann (McCubbin
Press, Melbourne 1919)
Mr. John Cato,
Melbourne
56
The Cloud *c.1910
bromide print on
textured paper *c.1920's-30's;
27.5 x 36.5
signed J. Kauffmann
I.r. on image
Private
collection
57
The Fairy Woods *c.1910-20
bromide or
carbon? print
*c.1920; 21.2
x 29.6
signed J.
Kauffmann
l.r. on image;
inscribed with
title I.I. on mount
Art Gallery
of New South
Wales,
gift
of Mr.
John Bilney 1979
58
The Grey
Veil *c.1910-14
bromide
print
*c.1920's;
18.0
x 24.5
signed
J. Kauffmann
I.r.;
inscribed
with
title
1.1. on mount
Private
collection
59
*Collins
Street,
Melbourne *c.1920
bromide
print
*c.1920;
22.8
x
30.5
signed
J.
Kauffmann
l.r.
on
image
Private
collection
60
Wharf
Labourers *c.1910-20
bromide
print *c.1920-30;
22.1 x
29.1
signed
J. Kauffmann
I.r. on
image, title
from reproduction
in The
Art of
John
Kauffmann
(McCubbin Press,
Melbourne 1919)
Mrs.
R. B.
T. Morton,
Melbourne
61
The
Briar Rose * c. 1930-40
bromide print *c.1930's; 22.5 x 30.5
signed
J. Kauffmann l.r. on border; inscribed with title I.I. on border
Private collection
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PETER LAWRENCE 1882-1970
62
Tar Dressing *1925-6
bromoil *c.1926; 20.6 x 24.2
signed Peter Lawrence Lt.; inscribed with title l.l on mount
Art Gallery of New South Wales, gift of Mrs. Jane Miller 1977
63
Power and Might *c.1925-6
bromoil *c.1935; 28.0 x 19.5 with borders
signed Peter Lawrence l.t.; inscribed with title I.I. on mount
The National Library of Australia, gift of Mrs. Jane Miller 1977
64
Mid-day *c.1925
bromoil transfer *c.1925; 26.3 x 25.0
signed Peter Lawrence l.r.; inscribed with title I.I. on mount
Art Gallery of New South Wales, Sydney Camera Circle Collection gift
1977
65
At Woodlands *c.1930-33
bromoil *c.1930's; 20.0 x 18.5
signed Peter Lawrence l.r.; inscribed with title I.I. on mount
The National Library of Australia, gift of Mrs. Jane Miller 1977
LIONEL
LINDSAY 1874-1961
66
*Nude Study *c.1911-15
modern print off autochrome transparency,
lumiere process; 25.3 x 20.1
original autochrome 1/4 plate size in The National Library of Australia
 
Peter Lawrence,
Tar Dressing 1925-1926, cat no 62
Henri Mallard, Darling Harbour c.1920,
cat no 72
MONTE
LUKE 1885,1962
67
Gavotte (Anna Pavlova, Australia) 1926/29
bromide print, hand-coloured * 1930's; 24.3 x 19.4
signed Monte Luke l.r.; inscribed with title I.I. on image
Art GaIlery of New South Wales, gift of Mr. Michael Allen 1979
68
Invitation to the Dance (Anna Pavlova, Australia) *1926/29
bromoil transfer in green pigment *c.1930; 18.4 x 29.5
(hand coloured version of the same subject, A.G.N.S.W.) signed Monte
Luke l.r.; inscribed with title I.I. on sheet
Mrs.
Rainbow Johnson, Sydney
69
Ebb Tide *c. 1928
bromoil transfer *c.1928; 23.1 x 23.3
signed Monte Luke Lt.; inscribed R.P.S. London I.c. and with title
I.I. on border
The National Library of Australia
70
Caz (Harold Cazneaux) *c. 1929
bromide print *c.1930's; 35.0 x 28.0
signed Monte Luke l.r.; inscribed with title I.I. on mount
Art Gallery of New SOLIth Wales, Sydney Camera Circle Collection
gift 1977
71
Autumn Landscape *c. 1934 or before
bromoil transfer in green pigment
*c. 1930 18.4 x 29.5
signed Monte Luke l.r.; inscribed Royal London 1934 I.e. and with
title I.I. on sheet
Art Gallery of New South Wales, gift of Mrs.
Barbara Dunn 1977
HENRI
MALLARD 1884-1967
72
Darling Harbour
bromide print *c.1920; 18.0 x 26.2
swried H. M. .1. Mallard l.r.; inscribed with title 11 on mount
Art Gallery of New South Walcs, gift of Mr. Paul Mallard 1979
73
Nearing their journey's End c. 1920
bromide print c. 1920; 1~iAx 25.0
signed HenriMallard l.r.; inscribed with title I.I. on mount
Art Gallery of New South Wales, gift of Mr. Paul Mallard 1977
74
The House of a Westerner 1920
bromoil *c. 192 5; 18.0 x 24.5
signed H. M. J. Mallard I.r.; inscribed with title I.I. Victorian Salon 1920
London
Salon 1923 I.c. on mount
The National Library of Australia, gift of Mr. Paul Mallard
75
Nature's Artistry 1928
bromide print *c.1928; 25.0 x 30.1
signed H. M. J. Mallard I.r.; inscribed with title and date I.I. on
mount
Art Gallery of New South Wales, gift of Mr. Paul Mallard 1978
76
Cables (Sydney Harbour Bridge) 1934
bromoil transfer *c.1935; 21.0 x 25.0
signed Henri Mallard 1934 I.r.; inscribed with title I.I. on sheet
The National Library of Australia, gift of Mr. Paul Mallard
77
Labourers *c.1938
bromoil transfer *c.1940; 18.6 x 34.1
signed H. M. J. Mallard, 1938; inscribed Australian Salon 1938 and
with title I.I. on
sheet
Art Gallery of New South Wales, gift of Mrs. Iris Burke 1978
78
Break a' day - Railway Siding 1939
bromoil transfer *c.1940; 22.0 x 28.5
signed H. M. J. Mallard 1939 I.r.; inscribed bromoil transfer I.e.
and with title I.I. on
sheet
The National Library of Australia, gift of Mr. Paul Mallard
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MRS.
A. G. (FLORENCE) MILSON active 1919-1924
79
Return of the Ist Light Horse A.I.F. 1918
chloro bromide print made by H. Cazneaux *c.1930's; 37.6 x 30.0
signed,Mrs. F. Milson I.I.; and inscribedwith title and date I.I.
on mount (by H. Cazneaux)
Art Gallery of New South Wales, Sydney Camera Circle Collection
gift 1977
W.
H. MOFFITT 1888-1948
80
The Sliprails - a Wet Day 1925/6
bromide print *c.1925; 18.6 x 23.9
signed W. H. Moffitt 1925 I.r. on ;beer, then repeated with date
1926 on mount;
inscribed Australian Salon 1926 I.c. on mount, and with title I.I.
on sheet, paper negative Li.l. on verso
Art Gallery of New South Wales, gift of Mr. W. M. Moffitt 1977
81
Boats - Berowra Creek *c. I 930's
bromoil *c.1930's; 27.8 x 20.0
signed
W. H. Moffitt I.r.; inscribed with title I.C. on sheet
Art Gallery of New South Wales, gift of Mr. W. M. Moffitt 1977
82
Approaching Dusk (Landscape - Tarana) 1940
bromoil with pink colour added * 1940's; 21.2 x 28.6
signed W. H. Moffitt I.r.; inscribed with title and date I.e. on
sheet
Art Gallery of New South Wales, gift of Mr. W, M. Moffitt 1977
83
Drought (Landscape - Robertson) *c.1940's
bromoil *c.1940's; 22.8 x 33.4
signed W. H. Moffitt I.r.; inscribed with title I.I. on sheet
Art Gallery of New South Wales, gift of Mr. W. M. Moffitt 1977
MAY
AND MINNA MOORE
May, 1880-1930,
Minna, 1883-1957
84
L. Hopkins *c.1914
bromide *c.1914; 18.7 x 13.1
signed with May and Minna Moore stencil studio stamp I.I.; inscribed
L. Hopkins. alias
Hop Famous cartoonist for Sydney Bulletin 1. 1. on mount
Mr. John Cato, Melbourne
GEORGE
J. MORRIS 1884-1959
85
At Night in the City *c.1925
bromoil transfer *c.1925-40; 15.0 x 19.7
signed George J. Morris l.r.; inscribed with title I.I. on sheet
Art Gallery of New South Wales, gift of Mrs. Eleanor Morris 1977
86
The Blacksmith at St. Ives 1926
bromoil transfer *1926-40; 15.8 x 20.4
signed George J. Morris 1926 I.r.; inscribed with title LL on sheet
Art Gallery of New South Wales, gift of Mrs. Eleanor Morris 1977
87
*New York City Skyline * 1921/ 36
bromoil transfer *c.1937; 24.8 x 20.4
signed George J. Morris I.r. on sheet
Art Gallery of New South Wales, gift of Mrs. Eleanor Morris 1977
88
Around Manhattan * 1921/36
bromoil transfer *c.1922-38; 17.4 x 12.8
signed George J. Morris I.r.; inscribed with title I.I. and numbered
3/50 I.e. on sheet
Art Gallery of New South Wales, gift of Mrs. Eleanor Morris 1977
89
A Misty Day - New York 1925
bromoil transfer *c. 1925; 11.3 x 20.4
signed George .1. Morris '25 (?) l.r.; inscribed with title I.I.
and numbered 11 / 50 1.1. on sheet (date may refer to print as
Morris is not known to have been in America in
1925)
Art Gallery of New South Wales, gift of Mrs. Eleanor Morris 1977
90
The Catch, Polperro 1936
bromoil transfer *c.1937-40; 30.7 x 24.2
signed George J. Morris I.r.; inscribed with title I.I. on sheet
Art Gallery of New South Wales, gift of Mrs. Eleanor Morris 1977
91
Waiting for the Tide (Polperro) 1936
bromoil transfer *c.1937-40; 24.5 x 30.5
signed George J. Morris I.r.; inscribed with title I.I. on sheet
Art Gallery of New South Wales, gift of Mrs. Eleanor Morris 1977
92
A Canal - Venice 1936
bromoil transfer *c. 1937-40; 24.9 x 3 1.1
signed George J. Morris I.r.; inscribed with title I.I. on sheet
Art Gallery of New South Wales, gift of Mrs. Eleanor Morris 1977
93
Within These Hallow'd Walls (Bernini Colonnade) 1936
bromoil transfer *c.1937-40; 23.9 x 35.3
title attributed by Mrs. E. Morris
Art Gallery of New South Wales, gift of Mrs. Eleanor Morris 1977
WILLIAM
T. OWEN 1898-1979
94
The Slack Tide (London) 1925
bromide print on textured paper *c.1925; 25.8 x 36.8
signed Win. Thos Owen 1925 I.r.; inscribed with title I.I. on mount
Mr. Michael J. Owen, Melbourne
95
Victoria Tower - Twilight 1925 (London)
bromide print *c.1925; 29.4 x 37.2
signed Win. Thos Owen 1925 I.r.; inscribed with title I.I. on mount
Mr. Michael J. Owen, Melbourne
96
Farringdon Street (London) 1924
bromide print *c.1924; 37.0 x 27.8
signed Win. Thos Owen 1924 I.r., inscribed with title on verso in
centre.
Mr. Michael J. Owen, Melbourne
97
Autumn (Melbourne) *c.1930's
chloro bromide print *c.1940's; 38.2 x 26.6
signed Win. Thos Owen I.r. on mount, William T. Owen u.c. on verso,
inscribed with title u.c. on verso.
Mr. Michael J. Owen, Melbourne
98
*Collins Street *1930's
bromide print *c.1940's; 50.0 x 23.7
Mr. Michael J. Owen, Melbourne
F.
VAUDRY ROBINSON active 1910's-1940's?
99
Rolling Home *c.1920's
bromide, gum bichromate? *c.1920's-30's; 24.0 x 27.2
signed Vaudry Robinson I.r. on sheet; inscribed with title I.I.
mount
Mr. John
Cato, Melbourne
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L.
HEY SHARP 1885-1965
100
The Home of a Pensioned Couple *c.1925
bromide print *c.1925; 21.4 x 29.6
signed L. Hey Sharp u.1. on verso of mount; inscribed with title I.I.
on mount.
Art Gallery of New South Wales, purchased 1978
101
The Yarra 1925
bromoil *c. 1925; 10.0 x 15.4
signed L. Hey Sharp 1925 I.r.; inscribed with title I.c. on sheet
Art Gallery of New South Wales, purchased 1978
R.
V. SIMPSON d.1965
102
Archibald Fountain - Winter Morning 1935
bromoil *c.1935; 17.8 x 28.4
signed R. V. Simpson 1935 I.r.; inscribed with title I.I. on sheet
Art Gallery of New South Wales, Sydney Camera Circle gift 1977
ARTHUR
SMITH d.1945
103
On the Quay, Dieppe *c.1910
bromoil in green pigment, *c.1920; 14.9 x 16.5
signed Arthur Smith I.r.; inscribed with title I.I. on sheet
Art Gallery of New South Wales, Sydney Camera Circle Collection gift
1977
104
The Hallow'd Hour of Morning *c.1933
bromoil transfer *c.1933; 12.9 x 16.6
signed Arthur Smith 1933 I.r.; inscribed with title I.I. on sheet
Art Gallery of New South Wales, Sydney Camera Circle Collection gift
1977
DR.
JULIAN SMITH 1873-1947
105
F. C. Tilney F.R.P.S. *c.1928
photogravure *c.1928; 24.0 x 16.0
signed Julian Smith I.r.; inscribed with title I.I. on sheet and
A photogravure with the assistance of Craig Annan on verso
National
Library of Australia
106
Old Firebrand *c.1937
bromide print *c.1940's; 37.5 x 27.2
signed Julian Smith I.r.; inscribed with title 1.1. on mount
Mr. Michael
J. Owen, Melbourne
JAMES
STENING 1870-1953
107
The Edge of the Common * c. 1898-1904
Platinotype *c.1898-1920; 20.2
x 15.2
title
from reproduction A.P.R. Feb. 1905
Art Gallery
of New South Wales, gift of Mr. Norman Deck 1977
108
Harvesting the Golden Grain *c.1900-1905
bromide print mounted on 2 shades of brown paper *c.1910-20; 15.2
x 19.4
signed J. S. Stening l.r.; inscribed with title I.I. on mount
Sir George Stening, Sydney
109
*Yacht *c.1900-1915
Platinotype mounted on brown paper *c.1900-1915; 19.6 x 13.2,
Sir
George Stening, Sydney
110
*Centennial Park *c.1910-20
bromide print mounted on brown paper *c.1910-20; 24.3 x 36.6
Sir George
Stening, Sydney
111
The Pioneer * 1900-1915
bromide *c.1920's; 31.2 x 33.4
title from reproduction H.P.J. Sept.
1915
Sir George Stening, Sydney
112
*Tree and Shade *c.1910-20
bromide print mounted on brown paper *c.1920; 18.8 x 25.0
Sir George Stening, Sydney
113
Grasses in Bowl *c.1910-15
bromide print *c.1910-15; 15.2 x 20.3
(see cat. no. 41. A print made probably in the 1960's, signed and
titled by N. C. Deck and in his care suggests that this work also may
be by N. C. Deck)
Sir George Stening
114
Sons of Toil *c.1915
bromide print *c.1920; 27.0 x 31.6
title from a print in The National Library of Australia
Sir George Stening, Sydney
115
*Path Through Trees *c.1920
bromide print made by N. C. Deck *c.1960's
inscribed J. Stening on verso in centre by N. C. Deck
Art Gallery of New South Wales, gift of Mr. Norman Deck 1977
CLIVE
STUART TOMKINS A.R.P.S.
116
The Autumn of Life *c.1924
bromide print *c.1924
25.3 x 38.0
signed Stuart
Tompkins,
Camberwell I.r.;
inscribed with title I.I.
and Toronto Salon 1924 I.r.
on mount
National Gallery of Victoria
A.
WILKINSON 1869-1940
117
Shearing 1927
bromoil *c.1927; 40.9 x 30.6
signed A. Wilkinson 1921 I.r.; inscribed with title I.I. on mount
Art Gallery of South Australia
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