{"id":830,"date":"2017-04-30T18:29:55","date_gmt":"2017-04-30T08:29:55","guid":{"rendered":"http:\/\/photo-web.com.au\/gn\/?p=830"},"modified":"2017-05-04T10:50:07","modified_gmt":"2017-05-04T00:50:07","slug":"national-gallery-singapore-3","status":"publish","type":"post","link":"https:\/\/photo-web.com.au\/gn\/national-gallery-singapore-3\/","title":{"rendered":"National Gallery Singapore"},"content":{"rendered":"<h5><span class=\"caps\">CHARTING<\/span> <span class=\"caps\">THOUGHTS<\/span>: <span class=\"caps\">ESSAYS<\/span> <span class=\"caps\">ON<\/span> <span class=\"caps\">ART<\/span> <span class=\"caps\">IN<\/span> <span class=\"caps\">SOUTHEAST<\/span> <span class=\"caps\">ASIA<\/span><\/h5>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-1536\" src=\"http:\/\/www.theartmuseum.com.au\/wp-content\/uploads\/2017\/04\/National_Gallery_Singapore-Research_Titles-Charting_Thoughts-Cover_0.png\" alt width=\"141\" height=\"189\">A new research book has been published by the National Gallery of Singapore. It contains essays on Southeast Asian art by 25 scholars.<\/p>\n<p>I was given the honour by the <span class=\"caps\">NGS<\/span> of being one the contributing scholars.<\/p>\n<p>The book is available from the <span class=\"caps\">NGS<\/span> shop and through their website \u2014 <a href=\"https:\/\/www.nationalgallery.sg\/learn\/publications\/research-titles\">click here<\/a>.<\/p>\n<p><!--more--><\/p>\n<h5>Contents<\/h5>\n<p>An Introduction: Low Sze&nbsp;Wee<\/p>\n<p>Address of Art: Vicinity of Region, Horizon of History \u2014 Patrick D. Flores<\/p>\n<ol>\n<li><em>When Was Modernism? A&nbsp;Historiography of Singapore Art<\/em> \u2014 Kevin&nbsp;Chua<\/li>\n<li><em>The 19<sup>th<\/sup>-Century \u201cOrigins\u201d of Singapore Art<\/em> \u2014 Kwa Chong&nbsp;Guan<\/li>\n<li><em>Colonial Art as a&nbsp;Space of the Asian Modern<\/em> \u2014 John&nbsp;Clark<\/li>\n<li><em>The Javanese Painter Raden Saleh (c. 1811\u20131880): A&nbsp;Star in the Firmament of Indonesian Modern Visual Art<\/em> \u2014 Marie-Odette Scalliet<\/li>\n<li><span style=\"color: #0000ff;\"><em>Towards a&nbsp;History of the Asian Photographer at Home and Abroad: Case Studies of Southeast Asian Pioneers Francis Chit, Kassian Cephas and Yu&nbsp;Chong<br>\n<\/em>Gael Newton<\/span><\/li>\n<li><em>Pre-war (1886\u20131941) Art Activities of the Chinese Communityin Singapore through a&nbsp;Narrative Framework of Diasporic Bonds<\/em> \u2014 Yeo Mang&nbsp;Thong<\/li>\n<li><em>A \u201cForgotten\u201d Art World: The Singapore Art Club and its Colonial Women Artists<br>\n<\/em>Yvonne Low<\/li>\n<li><em>Balinese Modernism<\/em> \u2014 Adrian Vikers<\/li>\n<li><em>The Birth of Tine Art\u2019 in Southeast Asia, 1900\u20131945<\/em> \u2014 Ushiroshoji Masahiro<\/li>\n<li><em>Conditions of Freedom, Contingencies of Art<\/em> \u2014 Patrick D. Flores<\/li>\n<li><em>The Transition of Thai Traditional Art to Modern Art in the 1950s and&nbsp;1960s<br>\n<\/em>Somporn Rodboon<\/li>\n<li><em>Landscape Painting in Indonesia: Continuity and Change in President Sukarno\u2019s Collection<\/em> \u2014 Susie Protschky<\/li>\n<li><em>Conflict and Denial: The Discourse of Identity in Indonesian Art, 1950s-1980s<\/em><br>\nAminudin <span class=\"caps\">TH<\/span> Siregar<\/li>\n<li><em>Lim Hak Tai Points a&nbsp;Third Way: Towards a&nbsp;Socially Engaged Art by the Nanyang Artists, 1950s-1960s<\/em>&nbsp; \u2014 Seng Yu&nbsp;Jin<\/li>\n<li><em>The Woman and the Vista: Intimate Revolt of the Cultural Left<\/em><br>\nSimon&nbsp;Soon<\/li>\n<li><em>Cultural Wars in Southeast Asia: The Birth of the Critical Exhibition in the&nbsp;1970s<\/em><br>\nSeng Yu&nbsp;Jin<\/li>\n<li><em>Reading Conceptual Art in Southeast Asia: A&nbsp;Beginning<\/em> \u2014 T.K. Sabapathy<\/li>\n<li><em>The Singapore Contemporary and Contemporary Art in Singapore<\/em><br>\nC.J.W.-L. Wee<\/li>\n<li><em> Continuity and Change: Vietnamese Art in the Age of Doi&nbsp;Mdi<br>\n<\/em>Nora A.Taylor<\/li>\n<li><em>Unpacking the Legacy of an Exceptional Artist from Myanmar: Bagyi Aung Soe (1923\u20131990)<\/em> \u2014 Yin <em>Ker<\/em><\/li>\n<li><em>Emergencies: History and the Auto-Ethnographic Impulse in Contemporary Cambodian Art<\/em> \u2014 Ashley Thompson<\/li>\n<li><em>Rhetorical Postures and the Photographic Condition: A&nbsp;Minor Malaysian Detour<\/em> \u2014 Adele&nbsp;Tan<\/li>\n<li><em>Undoing the Global: Contemporary Art of Singapore<\/em> \u2014 June&nbsp;Yap<\/li>\n<li><em>Drafting History: Meditation on Location, Institutions and Myth-Making in Visual Arts in Postcolonial Singapore<\/em> \u2014 Venka Purushothaman<\/li>\n<li><em>Metonym and Metaphor, Islands and Continents: Reflections on Curating Contemporary Art from Southeast Asia<\/em>&nbsp; \u2014 Lee Weng&nbsp;Choy<\/li>\n<\/ol>\n<p>Figures 1.1 to 25.5<\/p>\n<p>Notes on the Contributors<\/p>\n","protected":false},"excerpt":{"rendered":"<p><span class=\"caps\">CHARTING<\/span> <span class=\"caps\">THOUGHTS<\/span>: <span class=\"caps\">ESSAYS<\/span> <span class=\"caps\">ON<\/span> <span class=\"caps\">ART<\/span> <span class=\"caps\">IN<\/span> <span class=\"caps\">SOUTHEAST<\/span> <span class=\"caps\">ASIA<\/span> A&nbsp;new research book has been published by the National Gallery of Singapore. It contains essays on Southeast Asian art by 25 scholars. I&nbsp;was given the honour by the <span class=\"caps\">NGS<\/span> of being one the contributing scholars. The book is available from the <span class=\"caps\">NGS<\/span> shop and through \u2026 <a href=\"https:\/\/photo-web.com.au\/gn\/national-gallery-singapore-3\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">National Gallery Singapore<\/span> <span class=\"meta-nav\">\u2192<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[117,8,1,3,30,2],"tags":[226,228,71,225,32,227],"class_list":["post-830","post","type-post","status-publish","format-standard","hentry","category-asia-pacific-visual-arts","category-asia-pacific","category-essays","category-photography","category-publications","category-visual-arts","tag-charting-thoughts","tag-essays","tag-gael-newton","tag-national-gallery-singapore","tag-publication","tag-southeast-asia-art"],"yoast_head":"<!-- This site is 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