{"id":205,"date":"2015-04-01T07:00:06","date_gmt":"2015-03-31T20:00:06","guid":{"rendered":"http:\/\/photo-web.com.au\/gn\/?p=205"},"modified":"2015-04-01T07:02:00","modified_gmt":"2015-03-31T20:02:00","slug":"maggie-diaz","status":"publish","type":"post","link":"https:\/\/photo-web.com.au\/gn\/maggie-diaz\/","title":{"rendered":"Maggie Diaz"},"content":{"rendered":"

Photography at Manning Clark House<\/h4>\n

\"maggie-promo-2\"From the media statement:<\/span> Maggie Diaz arrived in Australia on a one-way ticket in 1961, (a divorce gift from her Australian husband) and soon established herself as one of Melbourne\u2019s leading commercial photographers.<\/p>\n

Known for her expertise in using available light, Diaz had a genius for capturing character and situation.<\/p>\n

<\/p>\n

Dating back to Chicago in the 1950s, her work is also marked by the contrast between the glamorous commercial world and those outside of society with whom she felt a connection.<\/p>\n

\u2018<\/span>I Don\u2019t Do Sweet\u2019 focuses on the women and girls in the Diaz Collection: strong, composed, defiant and preferably not smiling. It is dedicated to Maggie\u2019s daughter Laurie \u2013 the little red head who was adopted out via a baby broker in 1957 \u2013 lost because Diaz felt she had nothing to offer a child and life as a single, professional woman, could not involve motherhood.<\/p>\n

Largely unrecognized until her 80th birthday in 2005, 90 year old Diaz\u2019s archive is held by the State Library of Victoria and her work has been acquired by the National Library of Australia, The National Gallery of Australia and private collections around the world.<\/p>\n","protected":false},"excerpt":{"rendered":"

Photography at Manning Clark House From the media statement: Maggie Diaz arrived in Australia on a one-way ticket in 1961, (a divorce gift from her Australian husband) and soon established herself as one of Melbourne\u2019s leading commercial photographers. 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